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Monday's image: September 2, 2024

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Beatrice Mandelman, Spectators, Lithograph, Publisher: Works Progress Administration / Federal Art Project-New York City, n.d., 40.3 × 49.5 × 2.9 centimeters, Crystal Bridges Museum of American Art, Bentonville, Arkansas

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Monday's image: September 6, 2021

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Ceal Floyer, Double Act, Slide, gobo, theatre light, projection, colour, Dimensions variable, 2006, Tate, U.K.

Monday's image: August 2, 2021

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René Daniëls, Het Glazen, Oil on canvas, 200 x 130 centimeters, 1984, De Pont Museum, Tilburg, Netherlands

Monday's image: July 26, 2021

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Marsden Hartley, The Wave, Oil on board, 76.8 x 103.8 centimeters, 1940-1941, Worcester Art Museum, Massachusetts

Monday's image: May 27, 2019

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Jacob Lawrence, They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Casein tempera on hardboard, 18 x 12 inches, 1940-41, The Museum of Modern Art, New York

Monday's image: August 20, 2018

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Richard Long, A Square of Ground, Painted plaster on plywood base, 95 x 320 x 270 millimeters, 1966, Tate Gallery, U.K.

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Monday's image: June 25, 2018

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Ana Torfs, Toast, Silver gelatin print, mounted on aluminum, 82.5 x 123 centimeters, 2003, M HKA, Antwerp, Belgium

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