Sandra Selig, heart of the air you can hear, Polyester thread, nails, synthetic polymer paint, 270 x 570 x 285 centimeters, 2011, National Gallery of Victoria, Melbourne, Australia
Thomas Lanigan-Schmidt, A Rite of Passage: The Velvet Cat Tail and the Silk Tiger Lily, Wood, metallic foil, 45 RPM vinyl record, artificial flowers, Saran wrap, metal staples, fabric, plastic beads, and fiber-tipped pen, 98.7 x 39.4 x 38.4 centimeters, 1987-1988, Whitney Museum of American Art, New York
Panamarenko, Donderwolk (Thundercloud), Hang glider powered by a motor, metal cabin and a Rogallo wing, aluminum, plastic, rubber, wood, felt, leather and perspex, 300 x 500 x 500 centimeters, 1971, Musées royaux des Beaux-Arts de Belgique, Bruxelles
Jolanta Rudzka-Habisiak, Untitled Book, Folded paper, some ink printed, mounted on board, re-plied cotton cord, 1999, Art Institute of Chicago, Illinois
Serge Tousignant, Hommage à Magritte, Easel, mirror and coloured vinyl, 193 x 450 x 110 centimeters (variable length according to the exhibition area), 1970-74, Musée d’art contemporain de Montréal, Canada
Mary Miss, Arrivals and Departures: 100 Doors, Hinged painted wood and mirrors, one hundred parts, 274.3 x 707.4 x 152.4 centimeters, 1986, Museum of Modern Art, New York