Paul Sharits, N : O : T : H : I : N : G, 16 millimeter motion picture film, color, sound, 36 minutes, 1968, Centre Pompidou, Paris, France (Note: Video clip is hyperlinked via artwork title).
Thomas Lanigan-Schmidt, A Rite of Passage: The Velvet Cat Tail and the Silk Tiger Lily, Wood, metallic foil, 45 RPM vinyl record, artificial flowers, Saran wrap, metal staples, fabric, plastic beads, and fiber-tipped pen, 98.7 x 39.4 x 38.4 centimeters, 1987-1988, Whitney Museum of American Art, New York
Isidore Pils, Young Man Leaning Forward with Outstretched Arms (Study for Soldiers Distributing Bread to the Poor), Oil, brown oil wash or ink wash, and black crayon on light brown wove paper, 33.8 x 26.9 centimeters, 1851, The Cleveland Museum of Art, Ohio
Betsabeé Romero, Border Memory (Recuerdo de la frontera), Bas relief on rubber, nine Oaxacan black-clay tiles, Multiple dimensions, 2002, Los Angeles County Museum of Art, California
Claes Oldenburg and Coosje van Bruggen, Big Sweep, Aluminum, stainless steel, polyurethane resin painted with acrylic polyurethane, 376 x 304 x 181 inches, 2006, Denver Art Museum, Colorado
Robert Gober, Untitled, Plaster, beeswax, human hair, epoxy putty, cast gypsum polymer, cast pewter, oil, and enamel paint, 41 x 47 x 7 inches, 2014-2015, The Museum of Fine Arts, Houston, Texas
Luis Arenal Bastar, Head of Indian Woman (Cabeza de indígena), Lithograph, Edition: 8/25, 50.2 x 73.4 centimeters, 1937, Los Angeles County Museum of Art, California
Eugenio Dittborn, 8 Sobrevivientes (8 Survivors), Screenprint on folded brown Kraft paper housed in brown Kraft paper envelope screenprinted with artist's standard mailing form and collaged documentation label, sheet: 79 7/8 x 60 1/2 inches, envelope: 20 11/16 x 15 15/16 inches, Printer: Impresos Punto Color Limitada, Santiago, Chile, 1986, Museum of Modern Art, New York
Elsa Medina, Nido de las Águilas, Tijuana, Baja California, Gelatin silver print, 8 1/4 x 12 5/8 inches, 1996; printed 2011, San Francisco Museum of Modern Art, California