José Clemente Orozco, Two Hands, Lithograph, Publisher: Delphic Studios, Edition of 100, 42.8 x 23 centimeters, Date unknown, The Cleveland Museum of Art, Ohio
Oscar Bony, 60 metros cuadrados y su información (60 Square Meters and Its Information), 16mm black and white film, silent, 3:30 minutes, 16mm projector, metal support, freestanding wall, wire netting, and text on paper, 237 x 393 inches, 1967, Museum of Modern Art, New York
Ian Howard, Enola Gay, Black wax crayon rubbing on three sheets of paper (274 x 361 centimeters), two black and white photographs (99 x 116.7 each sheet), 1975, Art Gallery of New South Wales, Sydney, Australia
Isidore Pils, Young Man Leaning Forward with Outstretched Arms (Study for Soldiers Distributing Bread to the Poor), Oil, brown oil wash or ink wash, and black crayon on light brown wove paper, 33.8 x 26.9 centimeters, 1851, The Cleveland Museum of Art, Ohio
Jonathan Moller, Three women, themselves survivors of the violence, watch as the remains of relatives and friends who were killed by the military in the early 1980s are exhumed, Nebaj, Quiché, Guatemala, Gelatin silver print,16 x 20 inches, 2000, Akron Art Museum, Akron, Ohio
Francesco di Giorgio Martini, Saint Bernardino Preaching from a Pulpit, Tempera on parchment, 21 x 14.3 centimeters, 1470-75, The Metropolitan Museum of Art, New York
Betsabeé Romero, Border Memory (Recuerdo de la frontera), Bas relief on rubber, nine Oaxacan black-clay tiles, Multiple dimensions, 2002, Los Angeles County Museum of Art, California
Robert Gober, Untitled, Plaster, beeswax, human hair, epoxy putty, cast gypsum polymer, cast pewter, oil, and enamel paint, 41 x 47 x 7 inches, 2014-2015, The Museum of Fine Arts, Houston, Texas
Judith Scott, Untitled, Yarn, embroidery floss, trims, cardboard, fabric, and newspaper, 36 x 25 x 16 inches, 2000, San Francisco Museum of Modern Art, California