France

Monday's image: July 8, 2024

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Eko Nugroho, La rue parle, Textile, Set of 24 embroidered pieces nailed to a painted black cloud painted on the wall, each embroidery approximately 30 x 40 centimeters, 2011, Musée d'Art Moderne de Paris, France

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Monday's image: March 4, 2024

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Félix Vallotton, Le Cimetière militaire de Châlons, Oil on canvas, 54 x 80 centimeters, 1917, La Contemporaine (bibliothèque, archives, musée des mondes contemporains), Paris, France

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Monday's image: January 15, 2024

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Jochen Lempert, Untitled (Noctiluca 1), Gelatin silver print on Baryta paper, 24 x 18 centimeters, 2009, Nouveau Musée National de Monaco, France

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Monday's image: July 17, 2023

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Peter W. Butcher, Ellis Developments, Ltd., Surgical Implant, Polyester suture thread, machine-embroidered, 142 x 142 millimeters, 2004, Victoria and Albert Museum, U.K.

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Monday's image: April 4, 2022

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Sophie Ristelhueber, Untitled from the series FAIT, Chromogenic color print, Edition: 1/3, 100.97 x 125.73 x 5.72 centimeters, 1992, Albright-Knox Art Gallery, Buffalo, New York

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Monday's image: September 6, 2021

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Ceal Floyer, Double Act, Slide, gobo, theatre light, projection, colour, Dimensions variable, 2006, Tate, U.K.

Monday's image: May 17, 2021

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Matt Bryans, Scars, Erased newspaper clipping, 13.5 x 17.5 centimeters, 2009, Centre Pompidou, Paris, France

Monday's image: September 28, 2020

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Alessandro Mendini, Giacca, Sculpture in golden mosaic, painted metal furniture, 230 x 155 x 55 centimeters, 1997-2001, FondationCartier pour l’art contemporain, Paris, France

Monday's image: July 6, 2020

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Mirella Bentivoglio, À Malherbe, Rose-colored onyx, 3.25 x 7 x 5 inches, 1975, National Museum of Women in the Arts, Washington, D.C.

Monday's image: March 9, 2020

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Paul Neagu, Tactile Object (Hand), Wood, metal, plastic, leather, textile and paper, 185 x 315 x 235 millimeters, 1970, Tate, U.K.

Monday's image: July 8, 2019

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Richard Marquis, Confetti Pyramid, Kiln-formed glass, 20.3 x 28.9 x 28.9 centimeters, 2007, The Corning Museum of Glass, Corning, New York

Monday's image: May 27, 2019

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Jacob Lawrence, They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Casein tempera on hardboard, 18 x 12 inches, 1940-41, The Museum of Modern Art, New York

Monday's image: December 17, 2018

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Lenore Tawney, Shield II, Natural linen, Chinese golden pheasant feathers, porcupine quills; woven, 61 x 45.7 x 1.3 centimeters, 1963, Museum of Arts and Design, New York

Monday's image: December 3, 2018

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Micheline Beauchemin, Nordic Blue Ice Flow: Homage to the St. Lawrence River, Cotton threads covered with mylar, colored silk threads and linen threads, 162 x 504.5 centimeters, 1984, National Gallery of Canada, Ottawa

Monday's image: November 12, 2018

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Kurt Schwitters, The Autumn Crocus, Painted concrete, 806 x 298 x 305 millimeters, 1926-8, reconstructed 1958, Tate Gallery, U.K.

Monday's image: April 23, 2018

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Leon Golub, Two Battling Nude Men, Chalk on vellum, 39 x 24 inches, c. 1965, MCA, Chicago, Illinois

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Monday's image: February 26, 2018

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Vong Phaophanit, Neon Rice Field, Rice and neon tubes, 15,000 x 5000 millimeters, 1993, Tate Gallery, U.K.

Monday's image: December 11, 2017

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Judith Scott, Untitled, Yarn, embroidery floss, trims, cardboard, fabric, and newspaper, 36 x 25 x 16 inches, 2000, San Francisco Museum of Modern Art, California

Monday's image: November 6, 2017

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Georges de La Tour, Saint Sebastian Tended by Saint Irene, Oil on canvas, 65.75 x 51.57 inches, 1649, Louvre, Paris