Lee Bontecou, Untitled, Welded steel, canvas, fabric, rawhide, copper wire, and soot, 203.6 x 226 x 88 centimeters, 1961, Museum of Modern Art, New York
Ruth Asawa, Untitled (S.001, hanging seven interlocking double trumpets), Brass wire, 30 x 36 x 36 inches, 1958, de Young museum, San Francisco, California
Hito Steyerl, Red Alert, Triptych, Three films of 30 seconds each running in a loop; three flat screen cinema screens of 76.2 centimeters each, three mac minis, mounting system, connection hardware, Edition: 2/3 + 2 AP, 2007, Centre Pompidou, Paris, France
Evan Holloway, Dialectic, Cinder blocks, plaster, steel, brass, lighting, and lighting controller, 22.3 x 189.2 x 279.4 centimeters, 2006, Museum of Contemporary Art Chicago, Illinois
James Van Der Zee, Whittier Preparatory School, Phoebus, Va., Gelatin silver-toned print, 5.75 x 7.5 inches, Negative 1907, printed 1974, Williams College Museum of Art, Williamstown, Massachusetts
Timothy H. O'Sullivan, High Bridge Crossing, The Appomattox, near Farmville on South Side Railroad, VA, Albumen print, Image: 17.1 x 22.5 centimeters, Support: 30.5 x 39.4 centimeters, 1865, Chrysler Museum of Art, Norfolk, Virginia
Ree Morton, Let Us Celebrate While Youth Lingers and Ideas Flow, Celastic and oil on canvas, wood, 96 x 72 x 6 inches, 1975, Pennsylvania Academy of the Fine Arts, Philadelphia
Simone Forti, Huddle, Performance, 10 minutes, 1961, Museum of Modern Art, New York. (Note: Video of a live performance in 2012 is hyperlinked via artwork title).
Doug Hall, The United States Cut Into a Continuous Strip, Oil stick on paper mounted on oil stick on bristol board, 20 x 26 inches, 1982, Museum of Contemporary Art Chicago, Illinois
K. H. Hödicke, Magic Window Cleaner II, from Capitalist Realism, Screenprint on clear plexiglass printed on both sides, 830 x 590 millimeters, 1967, Art Institute of Chicago, Illinois
Pat Steir, Introduction (from The Burial Mound Series), Drypoint on HMP handmade paper, 25.1 x 25.1 centimeters, 1976, RISD Museum, Providence, Rhode Island
Reign of Ibrahim Adil Shah, Probably Bijapur Court, Deccani School, Double folio from a Kitab-i hasha’ish (The book of herbs), Opaque watercolor and ink on paper, 40 x 51 centimeters, 1595, Smithsonian National Museum of Asian Art, Washington, D.C.