Marvin Lipofsky, China Group 1996 No. 2, Mould-blown glass, cut, sandblasted and acid polished, Publisher: Dalian Glassware Factory, with Master Wong Cheun Yun, 27.9 x 38.1 x 27.9 centimeters, 1996, Montreal Museum of Fine Arts, Canada
Michael Riedel, Vier Vorschläge zur Veränderung von Modern (31-34), 1/2: Cotton fabric, dyed, 250 x 275 centimeters, 2/2: Digital print on canvas, 250 x 275 centimeters, 2009, Städel Museum, Frankfurt, Germany
Edward Hopper, Tennis Players, Opaque watercolor and graphite pencil on board, 37.1 x 25.1 centimeters, 1916-1920, Whitney Museum of American Art, New York
Charles Henri Joseph Cordier, Woman from the French Colonies, Pedestal attributed to designs by Charles-François Rossigneux, Algerian onyx-marble, bronze, enamel, amethyst, white marble socle, 95.9 x 59.1 x 31.1 centimeters, 1861, The Metropolitan Museum of Art, New York
Sophie Ristelhueber, Untitled from the series FAIT, Chromogenic color print, Edition: 1/3, 100.97 x 125.73 x 5.72 centimeters, 1992, Albright-Knox Art Gallery, Buffalo, New York
Pablo Martínez Díez, Mar Santamaria-Varas, 300.000 Km/s, dataWar, big data in times of war, Multi-media installation, Architecture Ukraine: Beyond the Front, Biennale Architettura 2016, Venice, Italy