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Monday's image: June 21, 2021

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Romy Achituv, Camille Utterback, Text Rain, Interactive digital installation: computer and video camera, Edition: 3/3, Dimensions variable, 1999, Fundación la Caixa, Barcelona, Spain. Note: Video edit is hyperlinked via artwork title.

Monday's image: March 29, 2021

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Barnett Newman, Lace Curtain for Mayor Daley, Cor-ten steel, galvanized barbed wire, and enamel paint, 70 x 48 x 10 inches, 1968, Art Institute of Chicago, Illinois

Monday's image: December 28, 2020

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Hock E Aye Vi Edgar Heap of Birds, Moving Against Earth, Pastel on paper, 55.9 x 75.7 centimeters, 1987, Whitney Museum of American Art, New York

Monday's image: August 12, 2019

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Carl Andre, Crowding, Cut-and-pasted printed paper on board, 28.3 x 14 centimeters, 1965, Museum of Modern Art, New York

Monday's image: June 25, 2018

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Ana Torfs, Toast, Silver gelatin print, mounted on aluminum, 82.5 x 123 centimeters, 2003, M HKA, Antwerp, Belgium

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Monday's image: March 26, 2018

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Elizabeth Kunreuther, Untitled (The Names Project: The AIDS Quilt, New York), Chromogenic print, 15.9 x 23.6 centimeters, 1988, Harvard Art Museums, Cambridge, MA

Monday's image: November 20, 2017

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Jenny Holzer, Inflammatory Essays, One of twenty-nine offset lithographs on paper of various colors, Printed at Millner Bros., New York, Unlimited edition, 432 x 432 millimeters, 1979 - 82, Tate Gallery, U.K.

Monday's image: December 12, 2016

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Barbara Kruger, Untitled (We Will No Longer Be Seen and Not Heard), Photo-offset lithograph and screenprint, nine prints, Image/sheet (each): 20 3/4 x 20 5/8 inches, Peter Blum Edition (Publisher), 1985, Smithsonian American Art Museum, Washington, D.C.

Monday's image: July 18, 2016

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Gretchen Bender, People in Pain, (detail). Paint on heat-set vinyl and neon, 84 × 560 × 11 inches, 1988. Remade by Philip Vanderhyden, 2014. The Estate of Gretchen Bender. Via Whitney Museum, New York.