Bea Maddock, Cast a shadow, Photo-etching, aquatint, black ink on white wove paper, 97.3 x 68.4 centimeters, 1972, Art Gallery of New South Wales, Sydney, Australia
Jean Baptiste Oscar Mallitte, Group portrait at the Governor Generals Camp, Albumen silver print, 20.5 x 24.7 centimeters, 1858-61, The Metropolitan Museum of Art, New York
Roman, Republican or Early Imperial Period, Oval gem with head of man, Glass, 15 millimeters, 1st century B.C., Museum of Fine Arts Boston, Massachusetts
Claes Oldenburg and Coosje van Bruggen, Big Sweep, Aluminum, stainless steel, polyurethane resin painted with acrylic polyurethane, 376 x 304 x 181 inches, 2006, Denver Art Museum, Colorado
Chryssa, The Gates to Times Square, Welded stainless steel, neon, and Plexiglas, 120 x 120 x 120 inches, 1966, Albright-Knox Art Gallery, Buffalo, New York
Egyptian, Old Kingdom, Dynasty 4, reign of Menkaura, Fragment of a Triad, Greywacke: Fist with rust colored pigment, 3 x 4 x 1 9/16 inches, 2532-2510 B.C., Museum of Fine Arts, Boston
Lonnie Holley, Don't Go Crossing My Fence, Wood, garden hose, mop, lamp base and other found materials, 81 x 52 x 23 inches, 1994, American Folk Art Museum, New York
Melchiorre Cafà, Possibly by Ercole Ferrata, Study for the Personification of Silence, Italian, Terracotta, 16.6 centimeters, circa 1664, Harvard Art Museums, Cambridge, MA
Gretchen Bender, People in Pain, (detail). Paint on heat-set vinyl and neon, 84 × 560 × 11 inches, 1988. Remade by Philip Vanderhyden, 2014. The Estate of Gretchen Bender. Via Whitney Museum, New York.