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Monday's image: December 26, 2022

Francis Piatek, Red Light, Oil on canvas, 54 x 61 inches, 1987, Art Institute of Chicago, Illinois

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Monday's image: December 19, 2022

S.E. Casa de Moneda, Peso Ley Line 18.188,100 pesos coin (special circulation emission), Aluminum bronze,1977, Museo Histórico y Numismático Héctor Carlos Janson, Buenos Aires, Argentina

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Monday's image: December 12, 2022

Jerzy Bereś, Protest, Wood, textiles, mixed media, 2030 millimeters, 1976, Museum Kampa, Prague, Czech Republic

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Monday's image: December 5, 2022

Alice Neel, Cityscape, Oil on canvas, 1934, National Gallery of Ireland, Dublin

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Monday's image: November 28, 2022

Lygia Pape, Divisor (Divider), 1968. Performance at Museu de Arte Moderna, Rio de Janeiro, Chromogenic print, 1990. Photograph: Paula Pape. © Projeto Lygia Pape. (Note: Video edit of the 2017 reenactment is hyperlinked via the artwork title, The Metropolitan Museum of Art, New York.)

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Monday's image: November 21, 2022

Anish Kapoor, 1000 Names, Plywood, matt plaster and pigment, 122 x 183 x 183 centimeters, 1991, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain

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Monday's image: November 14, 2022

Maurice de Vlaminck, La route en forêt, Oil on linen, 65.7 x 81.7 centimeters, 1920, Museum Boijmans Van Beuningen, Rotterdam, Netherlands

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Monday's image: November 7, 2022

Christopher Knowles, Untitled (Red Alarm Clock), Typing on paper, 41.91 x 28.10 x 2.70 centimeters, 1988, Carnegie Museum of Art, Pittsburgh, Pennsylvania

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Monday's image: October 31, 2022

Charlotta Östlund, Bouquet, Plant parts, stone, mixed media, 79 x 60 x 60 centimeters, 2016, Finnish National Gallery, Helsinki

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Monday's image: October 24, 2022

William Roberts, Study for ‘Parallel Bars’, Graphite on paper, 191 x 133 millimeters, 1970, Tate, U.K.

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Monday's image: October 17, 2022

Wang Jin, Beijing - Kowloon, Chromogenic print, 116.8 x 78.1 centimeters, 1994, Asia Society, New York

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Monday's image: October 10, 2022

Thomas Hirshhorn, Drift Topography, Cardboard, tape, shoeboxes, alarm clocks, plastic, books, cotton wool and printed papers, 2200 x 4600 x 2800 millimeters, 2003, Tate, U.K.

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Monday's image: October 3, 2022

Michael Riedel, Vier Vorschläge zur Veränderung von Modern (31-34), 1/2: Cotton fabric, dyed, 250 x 275 centimeters, 2/2: Digital print on canvas, 250 x 275 centimeters, 2009, Städel Museum, Frankfurt, Germany

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Monday's image: September 26, 2022

Hannah Ryggen, Spania, Wool and linen tapestry, 193.5 x 219.5 centimeters, 1938, Stiftelsen Kunstindustrimuseet, The Design Collections, Oslo, Norway

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Monday's image: September 19, 2022

Dirk Skreber, Ohne Titel (Überschwemmung), Oil and seliotape on canvas, 290 x 170 centimeters, 2000, Städel Museum, Frankfurt, Germany

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Monday's image: September 12, 2022

Edward Hopper, Tennis Players, Opaque watercolor and graphite pencil on board, 37.1 x 25.1 centimeters, 1916-1920, Whitney Museum of American Art, New York

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Monday's image: September 5, 2022

China, Jingdezhen, Jianxi province, Qing dynasty (1644-1911), Reign of the Kangxi emperor
(1662-1722), A standing figure, Porcelain with green, black, yellow, aubergine, and blue enamels, 12.5 x 4.5 inches, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, San Francisco, California

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Monday's image: August 29, 2022

Mitchell Jamieson, Ladders, Acrylic on canvas, 81.5 x 44 inches, 1964, National Air and Space Museum, Washington, D.C

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Monday's image: August 22, 2022

Jeppe Hein, Geometric Mirrors VI, Aluminum, stainless steel and high polished steel (super mirror), Edition 1 of 3, plus 2 artist proofs, 200 x 200 x 100 centimeters, 2011, Chrysler Museum of Art, Norfolk, Virginia

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Monday's image: August 15, 2022

Adolf Dehn, Seven Mayan Women, Color lithograph, 41 x 53 centimeters, 1957, Printed at George C. Miller and Son, New York, Philadelphia Museum of Art, Pennsylvania

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