landscape

Monday's image: November 29, 2021

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Simon Starling, Inverted funicular bridge, Mixed media, 768 x 278 x 254 centimeters, 2004, Museion Foundation, Bolzano, Italy

Monday's image: November 22, 2021

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Philippe Parreno, Fraught Times, FZRA January 1998, Cast and painted stainless steel, glass, resin, 270 x 180 x 180 centimeters, 2018, Fondation Beyeler, Basel, Switzerland

Monday's image: October 25, 2021

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Mary Beams, Whale Songs, 16 millimeter film, 8 minutes, 1979, Museum of Modern Art, New York. Note: Video is hyperlinked via artwork title.

Monday's image: October 18, 2021

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Unknown artist, Shrewsbury and the River Severn, Oil on canvas, 30.5 x 71.5 inches, circa 1720, Yale Center For British Art, Connecticut

Monday's image: September 20, 2021

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Cy Thao, #33, Oil on canvas, 1993-2001, Minneapolis Institute of Art, Minnesota

Monday's image: July 26, 2021

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Marsden Hartley, The Wave, Oil on board, 76.8 x 103.8 centimeters, 1940-1941, Worcester Art Museum, Massachusetts

Monday's image: March 29, 2021

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Barnett Newman, Lace Curtain for Mayor Daley, Cor-ten steel, galvanized barbed wire, and enamel paint, 70 x 48 x 10 inches, 1968, Art Institute of Chicago, Illinois

Monday's image: December 28, 2020

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Hock E Aye Vi Edgar Heap of Birds, Moving Against Earth, Pastel on paper, 55.9 x 75.7 centimeters, 1987, Whitney Museum of American Art, New York

Monday's image: November 16, 2020

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Arne Ekeland, Occupation, Oil on wood fiberboard, 100 x 81 centimeters, 1944, Nasjonalmuseet, Oslo, Norway

Monday's image: August 31, 2020

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Lynn Aldrich, Breaker, Steel, wood, fiberglass, and garden hoses, 36 x 32 x 50 inches, 1999, Los Angeles County Museum of Art, California

Monday's image: July 13, 2020

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John Cage, Dramatic Fire, Aquatint and embossing on smoked paper, 46 x 58.1 centimeters, Edition of 25, Published by Crown Point Press, 1989, Museum of Modern Art, New York

Monday's image: July 6, 2020

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Mirella Bentivoglio, À Malherbe, Rose-colored onyx, 3.25 x 7 x 5 inches, 1975, National Museum of Women in the Arts, Washington, D.C.

Monday's image: May 25, 2020

Doug Hall, The United States Cut Into a Continuous Strip, Oil stick on paper mounted on oil stick on bristol board, 20 x 26 inches, 1982, Museum of Contemporary Art Chicago, Illinois

Monday's image: May 4, 2020

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Pat Steir, Introduction (from The Burial Mound Series), Drypoint on HMP handmade paper, 25.1 x 25.1 centimeters, 1976, RISD Museum, Providence, Rhode Island

Monday's image: March 2, 2020

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Lara Favaretto, Ichi, Iron scaffolding pipes, wool, 4.25 x 350 x 514.25 centimeters, 2012, Sharjah Art Foundation, Sharjah

Monday's image: December 30, 2019

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Hamanishi Katsunori, Object—Rope #7, Mezzotint, 36 x 60 centimeters, 1980, Art Institute of Chicago, Illinois

Monday's image: September 2, 2019

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Alfred Pellan, Blossoming, Oil on canvas, 180.3 x 146.1 centimeters, 1950, National Gallery of Canada, Ottawa

Monday's image: May 27, 2019

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Jacob Lawrence, They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Casein tempera on hardboard, 18 x 12 inches, 1940-41, The Museum of Modern Art, New York

Monday's image: April 1, 2019

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Larry Johnson, Ancient Battlefield, Collage on Masonite, 46.5 x 39 inches, 1958, The Nelson-Atkins Museum of Art, Kansas City, Missouri

Monday's image: October 22, 2018

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Phyllida Barlow, STREET untitled: banners, Fabric, plywood, timber, cement, scrim, spraypaint, paint, sealant, 400 x 900 x 500 centimeters, 2010, Migros Museum für Gegenwartskunst, Zurich, Switzerland