Dominic Di Mare, Mourning Station #11, hawthorn, horsehair, feathers, thread, and stone, 111.8 x 49.3 x 40.7 centimeters, 1988, Smithsonian American Art Museum, Washington, D.C.
Antoni Muntadas, Monumento genérico (Generic Monument), Printed methacrylate, photographs, iron and fluorescent light, 400 x 173 x 75 centimeters, Photographs with frame: 52.5 x 42.5 x 4 centimeters (each), 1987-88, Museo Nacional Centro De Arte Reina Sofia, Madrid, Spain
David Wojnarowicz, Untitled (Burning House), Stencil and spray paint, Print, Part of portfolio, 60.8 x 45.5 centimeters, 1982, Whitney Museum of American Art, New York
K. H. Hödicke, Magic Window Cleaner II, from Capitalist Realism, Screenprint on clear plexiglass printed on both sides, 830 x 590 millimeters, 1967, Art Institute of Chicago, Illinois
Arthur Dove, Silver Sun, Oil, metallic paint, and an unidentified material (possibly wax) on canvas, 55.3 x 74.9 centimeters, 1929, Art Institute of Chicago, Illinois
Paul Kos, The Sound of Ice Melting, Two 25-pound blocks of ice, eight standing boom microphones, amplifier, and speaker, Dimensions variable, 1970, San Francisco Museum of Modern Art, California
Jolanta Rudzka-Habisiak, Untitled Book, Folded paper, some ink printed, mounted on board, re-plied cotton cord, 1999, Art Institute of Chicago, Illinois
Bea Maddock, Cast a shadow, Photo-etching, aquatint, black ink on white wove paper, 97.3 x 68.4 centimeters, 1972, Art Gallery of New South Wales, Sydney, Australia
Janine Antoni, Unveiling, Bronze bell, lead clapper, fabric tassle, Edition 3/3, 53.5 x 33 x 33 centimeters, 1994, Irish Museum of Modern Art, Dublin, Ireland
Betsabeé Romero, Border Memory (Recuerdo de la frontera), Bas relief on rubber, nine Oaxacan black-clay tiles, Multiple dimensions, 2002, Los Angeles County Museum of Art, California
Robert Gober, Untitled, Plaster, beeswax, human hair, epoxy putty, cast gypsum polymer, cast pewter, oil, and enamel paint, 41 x 47 x 7 inches, 2014-2015, The Museum of Fine Arts, Houston, Texas