Monday's image: June 17, 2019

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Quentin Massys, Portrait of a Man with a Pink, Oil on panel, 43.2 x 28.4 centimeters, 1504 - 1514, The Art Institute of Chicago, Illinois

Monday's image: June 10, 2019

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Bea Maddock, Cast a shadow, Photo-etching, aquatint, black ink on white wove paper, 97.3 x 68.4 centimeters, 1972, Art Gallery of New South Wales, Sydney, Australia

Monday's image: June 3, 2019

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Thornton Dial, Flowers for Peace (Primary Title), Pastel, watercolor and pencil on paper, 44 x 30 inches, 1996, Virginia Museum of Fine Arts, Richmond, Virginia

Monday's image: May 27, 2019

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Jacob Lawrence, They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Casein tempera on hardboard, 18 x 12 inches, 1940-41, The Museum of Modern Art, New York

Monday's image: May 20, 2019

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Uemura Shōen, Mother and Child, Color on silk, 168 x 115.5 centimeters, 1934, The National Museum of Modern Art, Tokyo, Japan

Monday's image: May 13, 2019

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Haegue Yang, Series of Vulnerable Arrangements — Domestics of Community, Installation with seven light sculptures composed of clothing rack and shoe rack on casters, light bulbs, cable, knitting yarn, rope, socks, hammock net, aluminum venetian blinds, stainless steel strainer, paint grill, fish grill, plastic tube, plastic packages, plastic funnel, tin, buttons, metal ring, metal sponge, silver tinsel, mardi gras bits, toy spring, garden supply, and sea shells, Dimensions variable, 2009, Carnegie Museum of Art, Pittsburgh, Pennsylvania

Monday's image: May 6, 2019

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Oliffe Richmond, Marathon, Lithograph on paper, 483 x 251 millimeters, 1966, Tate Gallery, U.K.

Monday's image: April 29, 2019

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Artist unidentified, possibly Desire Parker, Wonderbread-Bag Rug with Ball of Twine, Plastic Wonderbread bags, 60 inches in diameter, Ledyard, Connecticut, Twentieth century, American Folk Art Museum, New York

Monday's image: April 22, 2019

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John Ahearn, Pinwheel, Plaster, 95.25 x 110.49 x 15.24 centimeters, 1998, Albright-Knox Art Gallery, Buffalo, New York

Monday's image: April 15, 2019

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Hassan Massoudy, La beauté sauvera le monde, Water-based pigments on paper, 95 x 75 centimeters, 2008, Kadist, Paris, France

Monday's image: April 8, 2019

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Dona Nelson, Full Sack, Acrylic mediums, muslin, dyed canvas strips, and dyed cheesecloth on canvas, 1990, Tang Teaching Museum and Art Gallery, Saratoga Springs, New York

Monday's image: April 1, 2019

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Larry Johnson, Ancient Battlefield, Collage on Masonite, 46.5 x 39 inches, 1958, The Nelson-Atkins Museum of Art, Kansas City, Missouri

Monday's image: March 25, 2019

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Eric Cameron, Alarm Clock (3295) (from the series “Thick Paintings “, 1979 - 1994), 3295 layers of acrylic medium on an alarm clock, 43 x 46 x 17 centimeters, 1979-1994, The Musée d'art contemporain de Montréal, Canada

Monday's image: March 18, 2019

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Janet Burchill, Jennifer McCamley, SAFE, Neon, electric cables, fittings and transformer, 23 x 150 centimeters, 2005, Art Gallery of New South Wales, Sydney, Australia

Monday's image: March 11, 2019

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Alex Hay, Crumpled Yellow Paper, Cotton paper, acrylic paint, epoxy resin, sandblasted, 48 x 164 x 113 centimeters, 1967, Moderna Museet, Stockholm, Sweden

Monday's image: March 4, 2019

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George Segal, The Curtain, Plaster, glass and painted wood, 214.6 x 99.7 x 90.2 centimeters, 1974, Smithsonian American Art Museum, Washington, D.C.

Monday's image: February 25, 2019

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Craig Kauffman, Le Mur s'en va (The wall goes away), Synthetic polymer on acrylic plastic, 185.4 x 120 x 22.9 centimeters, 1969, Art Institute of Chicago, Illinois

Monday's image: February 18, 2019

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Janine Antoni, Unveiling, Bronze bell, lead clapper, fabric tassle, Edition 3/3, 53.5 x 33 x 33 centimeters, 1994, Irish Museum of Modern Art, Dublin, Ireland

Monday's image: February 11, 2019

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Salvador Dalí, The Image Disappears, Pen and black ink on ivory wove paper, 647 x 508 centimeters, 1938, Art Institute of Chicago, Illinois

Monday's image: February 4, 2019

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Charles Sheeler, Incantation, Oil on canvas, 61.3 x 51.1 centimeters, 1946, Brooklyn Museum, Brooklyn, New York