Dominic Di Mare, Mourning Station #11, hawthorn, horsehair, feathers, thread, and stone, 111.8 x 49.3 x 40.7 centimeters, 1988, Smithsonian American Art Museum, Washington, D.C.
Antoni Muntadas, Monumento genérico (Generic Monument), Printed methacrylate, photographs, iron and fluorescent light, 400 x 173 x 75 centimeters, Photographs with frame: 52.5 x 42.5 x 4 centimeters (each), 1987-88, Museo Nacional Centro De Arte Reina Sofia, Madrid, Spain
David Wojnarowicz, Untitled (Burning House), Stencil and spray paint, Print, Part of portfolio, 60.8 x 45.5 centimeters, 1982, Whitney Museum of American Art, New York
K. H. Hödicke, Magic Window Cleaner II, from Capitalist Realism, Screenprint on clear plexiglass printed on both sides, 830 x 590 millimeters, 1967, Art Institute of Chicago, Illinois
Arthur Dove, Silver Sun, Oil, metallic paint, and an unidentified material (possibly wax) on canvas, 55.3 x 74.9 centimeters, 1929, Art Institute of Chicago, Illinois
Paul Kos, The Sound of Ice Melting, Two 25-pound blocks of ice, eight standing boom microphones, amplifier, and speaker, Dimensions variable, 1970, San Francisco Museum of Modern Art, California
Jolanta Rudzka-Habisiak, Untitled Book, Folded paper, some ink printed, mounted on board, re-plied cotton cord, 1999, Art Institute of Chicago, Illinois
Bea Maddock, Cast a shadow, Photo-etching, aquatint, black ink on white wove paper, 97.3 x 68.4 centimeters, 1972, Art Gallery of New South Wales, Sydney, Australia
Janine Antoni, Unveiling, Bronze bell, lead clapper, fabric tassle, Edition 3/3, 53.5 x 33 x 33 centimeters, 1994, Irish Museum of Modern Art, Dublin, Ireland
Betsabeé Romero, Border Memory (Recuerdo de la frontera), Bas relief on rubber, nine Oaxacan black-clay tiles, Multiple dimensions, 2002, Los Angeles County Museum of Art, California