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Monday's image: August 28, 2023

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Kit Paulson, Lungs, Glass, 32.4 x 24.1 x 8.6 centimeters, 2020, Smithsonian American Art Museum, Washington, D.C.

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Monday's image: August 21, 2023

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Sofía Gallisá Muriente, Celaje, Original score by José Iván Lebrón Moreira,16mm and Super 8 film transferred to HD video, 40:57 minutes, 2020, Museum of Modern Art, New York

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Monday's image: April 3, 2023

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David Claerbout, the “confetti” piece, Double-channel video projection, 3D animation, silent, color, 18’ 25”, 2015-2018, Kunst Museum Winterthur, Switzerland (Note: Video installation edit is hyperlinked via the artwork title).

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Monday's image: March 20, 2023

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Emery Blagdon, Untitled (Individual element from the Healing Machine), Paint, aluminum, copper, foil and wood, 6 x 6 x 1 inches, 1955-1986, Smithsonian American Art Museum, Washington, D.C.

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Monday's image: February 27, 2023

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Elena Tejada-Herrera, The Girls Train To Fight, Video, 15’44, 2019 |Who Will Write The History Of Tears, Artists on Women’s Rights, 2021-2022 |Muzeum Sztuki Nowoczesnej w Warszawie, Poland

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Monday's image: February 6, 2023

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Marvin Lipofsky, China Group 1996 No. 2, Mould-blown glass, cut, sandblasted and acid polished, Publisher: Dalian Glassware Factory, with Master Wong Cheun Yun, 27.9 x 38.1 x 27.9 centimeters, 1996, Montreal Museum of Fine Arts, Canada

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Monday's image: January 23, 2023

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Cathy de Monchaux, Scarring the Wound, Brass, velvet and silk ribbons, 15 x 90 x 90 centimeters, 1992-1993, Nasjonalmuseet, Oslo, Norway

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Monday's image: January 9, 2023

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Waldemar Cordeiro, Gente Ampli*2, Computer output on paper, 134.5 x 72.5 centimeters, 1972, Museum of Modern Art, New York

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Monday's image: October 31, 2022

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Charlotta Östlund, Bouquet, Plant parts, stone, mixed media, 79 x 60 x 60 centimeters, 2016, Finnish National Gallery, Helsinki

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Monday's image: October 3, 2022

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Michael Riedel, Vier Vorschläge zur Veränderung von Modern (31-34), 1/2: Cotton fabric, dyed, 250 x 275 centimeters, 2/2: Digital print on canvas, 250 x 275 centimeters, 2009, Städel Museum, Frankfurt, Germany

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Monday's image: September 19, 2022

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Dirk Skreber, Ohne Titel (Überschwemmung), Oil and seliotape on canvas, 290 x 170 centimeters, 2000, Städel Museum, Frankfurt, Germany

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Monday's image: September 5, 2022

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China, Jingdezhen, Jianxi province, Qing dynasty (1644-1911), Reign of the Kangxi emperor
(1662-1722), A standing figure, Porcelain with green, black, yellow, aubergine, and blue enamels, 12.5 x 4.5 inches, Asian Art Museum Chong-Moon Lee Center for Asian Art and Culture, San Francisco, California

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Monday's image: August 29, 2022

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Mitchell Jamieson, Ladders, Acrylic on canvas, 81.5 x 44 inches, 1964, National Air and Space Museum, Washington, D.C

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Monday's image: July 18, 2022

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Gene Davis, Limelight/Sounds of Grass, Magna on canvas, 243.8 x 239.4 centimeters, 1960, Smithsonian American Art Museum, Washington, D.C.

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Monday's image: February 7, 2022

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Heidi Neilson, Fake Snow Collection, Artist book, Edition of 100, Publisher: Visual Studies Workshop Press, Rochester, N.Y., 22 x 23 centimeters, 2010, Massachusetts College of Art & Design, Boston

Monday's image: January 24, 2022

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Kai Hügels, Silveride, Wood, screws, skateboards, PUR glue, hot glue, and paint, 118 x 105.5 x 115 centimeters, 2011, Staatliche Kunstsammlungen Dresden, Germany

Monday's image: January 17, 2022

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Purvis Young, Graveyard Warriors, Sad Day, Paint on wood, 48 x 96 inches, Early 1990s, Baltimore Museum of Art, Maryland

Monday's image: January 10, 2022

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Martin Wong, Closed, Acrylic on canvas, 213.7 x 274.8 centimeters, 1984-1985, Whitney Museum of American Art, New York

Monday's image: November 22, 2021

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Philippe Parreno, Fraught Times, FZRA January 1998, Cast and painted stainless steel, glass, resin, 270 x 180 x 180 centimeters, 2018, Fondation Beyeler, Basel, Switzerland

Monday's image: November 1, 2021

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Rita Donagh, affirm/deny, Neon and argon tubes, 210 x 460 x 470 millimeters / 210 x 450 x 450 millimeters, 1972, Tate, U.K.