Charles Henri Joseph Cordier, Woman from the French Colonies, Pedestal attributed to designs by Charles-François Rossigneux, Algerian onyx-marble, bronze, enamel, amethyst, white marble socle, 95.9 x 59.1 x 31.1 centimeters, 1861, The Metropolitan Museum of Art, New York
Shan Goshorn, Red Flag, Basket woven from inkjet prints with acrylic and artificial sinew, 8 x 7 x 7.5 inches, 2015, Whitney Museum of American Art, New York
Sophie Ristelhueber, Untitled from the series FAIT, Chromogenic color print, Edition: 1/3, 100.97 x 125.73 x 5.72 centimeters, 1992, Albright-Knox Art Gallery, Buffalo, New York
Pablo Martínez Díez, Mar Santamaria-Varas, 300.000 Km/s, dataWar, big data in times of war, Multi-media installation, Architecture Ukraine: Beyond the Front, Biennale Architettura 2016, Venice, Italy
Guerra de la Paz, A Stitch in Time: Ghost Variations, 108 deconstructed garments, metal pole and wire hangers, Dimensions variable (approximately 9 feet wide), 2002-2016, Art Works for Change, Oakland, California
Heidi Neilson, Fake Snow Collection, Artist book, Edition of 100, Publisher: Visual Studies Workshop Press, Rochester, N.Y., 22 x 23 centimeters, 2010, Massachusetts College of Art & Design, Boston
Kai Hügels, Silveride, Wood, screws, skateboards, PUR glue, hot glue, and paint, 118 x 105.5 x 115 centimeters, 2011, Staatliche Kunstsammlungen Dresden, Germany