Áine Phillips, Bannerettes, R-E-P-E-A-L, Artists’ Campaign to Repeal the Eighth Amendment, Embroidered satin, dress and curtain lining, polyester, cotton, gold lamé, linen and rayon, 44 x 31 centimeters, 2017, Installation view, At the Gates, 2018, Talbot Rice Gallery, The University of Edinburgh.
Unknown artist, Qafzeh Cave, Burial of a youth with antlers of a fallow deer, Cast, 60 x 19 x 50 centimeters, Middle Palaeolithic, The Israel Museum, Jerusalem
Charles Henri Joseph Cordier, Woman from the French Colonies, Pedestal attributed to designs by Charles-François Rossigneux, Algerian onyx-marble, bronze, enamel, amethyst, white marble socle, 95.9 x 59.1 x 31.1 centimeters, 1861, The Metropolitan Museum of Art, New York
Shan Goshorn, Red Flag, Basket woven from inkjet prints with acrylic and artificial sinew, 8 x 7 x 7.5 inches, 2015, Whitney Museum of American Art, New York
Sophie Ristelhueber, Untitled from the series FAIT, Chromogenic color print, Edition: 1/3, 100.97 x 125.73 x 5.72 centimeters, 1992, Albright-Knox Art Gallery, Buffalo, New York
Pablo Martínez Díez, Mar Santamaria-Varas, 300.000 Km/s, dataWar, big data in times of war, Multi-media installation, Architecture Ukraine: Beyond the Front, Biennale Architettura 2016, Venice, Italy