Texas

Monday's image: December 16, 2019

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Martin Blank, Torso, Glass, 61.3 x 25.4 x 17.8 centimeters, undated, The Ringling Museum of Art, Sarasota, Florida

Monday's image: November 4, 2019

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Serge Tousignant, Hommage à Magritte, Easel, mirror and coloured vinyl, 193 x 450 x 110 centimeters (variable length according to the exhibition area), 1970-74, Musée d’art contemporain de Montréal, Canada

Monday's image: October 21, 2019

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Leonilson (José Leonilson Bezerra Dias), The Penelope, Fabric, 2220 x 830 millimeters, 1993, Tate, U.K.

Monday's image: September 30, 2019

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Isidore Pils, Young Man Leaning Forward with Outstretched Arms (Study for Soldiers Distributing Bread to the Poor), Oil, brown oil wash or ink wash, and black crayon on light brown wove paper, 33.8 x 26.9 centimeters, 1851, The Cleveland Museum of Art, Ohio

Monday's image: September 16, 2019

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Egypt, Fragment, Wool, linen; plain weave, tapestry weave, 11.87 x 9.12 inches, 4th century, The Metropolitan Museum of Art, New York

Monday's image: August 19, 2019

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Jonathan Moller, Three women, themselves survivors of the violence, watch as the remains of relatives and friends who were killed by the military in the early 1980s are exhumed, Nebaj, Quiché, Guatemala, Gelatin silver print,16 x 20 inches, 2000, Akron Art Museum, Akron, Ohio

Monday's image: August 12, 2019

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Carl Andre, Crowding, Cut-and-pasted printed paper on board, 28.3 x 14 centimeters, 1965, Museum of Modern Art, New York

Monday's image: August 5, 2019

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Martin Puryear, Sanctuary, Pine, maple and cherry, 126 x 24 x 18 inches, 1982, Art Institute of Chicago, Illinois

Monday's image: May 27, 2019

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Jacob Lawrence, They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were, Casein tempera on hardboard, 18 x 12 inches, 1940-41, The Museum of Modern Art, New York

Monday's image: March 4, 2019

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George Segal, The Curtain, Plaster, glass and painted wood, 214.6 x 99.7 x 90.2 centimeters, 1974, Smithsonian American Art Museum, Washington, D.C.

Monday's image: February 4, 2019

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Charles Sheeler, Incantation, Oil on canvas, 61.3 x 51.1 centimeters, 1946, Brooklyn Museum, Brooklyn, New York

Monday's image: December 10, 2018

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Barbara Probst, Exposure #11A: N.Y.C., Duane & Church Streets, 06.10.02, 3:07 p.m., Inkjet prints, 61.12 x 81.6 centimeters, 2002, San Francisco Museum of Modern Art, California

Monday's image: August 27, 2018

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Roman, Republican or Early Imperial Period, Oval gem with head of man, Glass, 15 millimeters, 1st century B.C., Museum of Fine Arts Boston, Massachusetts

Monday's image: June 18, 2018

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Eugene Von Bruenchenhein, Comitose Intuse, Oil on paperboard, 14 7/8 x 17 1/8 inches, 1955, American Folk Art Museum, New York

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Monday's image: May 21, 2018

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Rosemarie Trockel, Shutter (c), Stoneware with red glaze, 80.1 x 61.7 x 4.9 centimeters, 2006, Harvard Art Museums, Cambridge, Massachusetts

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Monday's image: April 30, 2018

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Robert Gober, Untitled, Plaster, beeswax, human hair, epoxy putty, cast gypsum polymer, cast pewter, oil, and enamel paint, 41 x 47 x 7 inches, 2014-2015, The Museum of Fine Arts, Houston, Texas

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Monday's image: March 26, 2018

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Elizabeth Kunreuther, Untitled (The Names Project: The AIDS Quilt, New York), Chromogenic print, 15.9 x 23.6 centimeters, 1988, Harvard Art Museums, Cambridge, MA

Monday's image: January 29, 2018

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Luis Arenal Bastar, Head of Indian Woman (Cabeza de indígena), Lithograph, Edition: 8/25, 50.2 x 73.4 centimeters, 1937, Los Angeles County Museum of Art, California

Monday's image: November 6, 2017

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Georges de La Tour, Saint Sebastian Tended by Saint Irene, Oil on canvas, 65.75 x 51.57 inches, 1649, Louvre, Paris

Monday's image: August 28, 2017

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SUPERFLEX, Flooded McDonald's, Digital video, Twenty-one minutes, 2009, Hammer Museum, Los Angeles (Note: Video edit is hyperlinked via the title of the work).