Albert Bierstadt, Wreck of the “Ancon” in Loring Bay, Alaska, Oil on paper mounted on Masonite, 35.88 x 50.16 centimeters, 1889, Museum of Fine Arts Boston, Massachusetts
Diane von Furstenberg (Manifattura Tessile Ferretti, Saks Fifth Avenue), Dress,Cotton and rayon jersey, 109.2 centimeters, circa 1975, RISD Museum, Providence, Rhode Island
David Claerbout, the “confetti” piece, Double-channel video projection, 3D animation, silent, color, 18’ 25”, 2015-2018, Kunst Museum Winterthur, Switzerland (Note: Video installation edit is hyperlinked via the artwork title).
Eliane Duarte, Fragmento de Oxosse, Seeds, fabric, wax, synthetic pearls, metal coins, and various materials, 96 x 66 x 8 centimeters, 2002, Fondation Cartier pour l'Art Contemporain, Paris, France
Emery Blagdon, Untitled (Individual element from the Healing Machine), Paint, aluminum, copper, foil and wood, 6 x 6 x 1 inches, 1955-1986, Smithsonian American Art Museum, Washington, D.C.
Elena Tejada-Herrera, The Girls Train To Fight, Video, 15’44, 2019 |Who Will Write The History Of Tears, Artists on Women’s Rights, 2021-2022 |Muzeum Sztuki Nowoczesnej w Warszawie, Poland
Marvin Lipofsky, China Group 1996 No. 2, Mould-blown glass, cut, sandblasted and acid polished, Publisher: Dalian Glassware Factory, with Master Wong Cheun Yun, 27.9 x 38.1 x 27.9 centimeters, 1996, Montreal Museum of Fine Arts, Canada